HG Fortune – LaserBladeS
سینتی سایزرHybrid و دیجیتال LaserBladeS
a compact synth VSTi for Windows. It features a versatile sound-engine withmodulatable XTorsion, Filter FM (frequency modulation of filter like in the Sequential synths) and a Metallize section. This enables you to achieve quite ‘sharp’ or digital sounds as well as a variety of short percussive Seq-sounds; LaserBlade can also generate soft, bell-like sounds, and more.
Features:
Two digital PCM-wave oscillators powered by 170 different waveforms.
Each oscillator has a Harm+ knob for enhancing the upper harmonic structure.
XTorsion with selectable modulation source.
One filter (24db Lowpass with resonance).
Filter-FM feedable from both oscillators separately.
Two ADSR-style envelope generators.
Three LFOs (one BPM-synced; one with 42 pattern-style waves; one with shapeable waves).
Metallize section for more metallic timbres incl. two modulations.
BPM-synced Stereo-Delay
GForce ImpOSCar
نرم افزار مدل سازی شده سینتی سایزر بریتانیایی OSCar
If you want subtractive, additive, monophonic, duophonic, polyphonic, multiple oscillator waveforms, multiple LFO types, multiple filter types, multiple triggering modes, keyboard velocity response, integrated effects, an arpeggiator, filter overdrive, programming immediacy, a hefty patch library and the capability of producing a vast and varied range of sublime tonal textures, then the impOSCar really could be the only virtual synth you need!
This is a bold claim, we know, but such has been the response to the impOSCar and our belief in it’s ability to produce the highest quality sounds across an extensive tonal range, that it might not be so fanciful after all!
The impOSCar is modeled on the unique and wonderfully esoteric British synthesizer, the OSCar, manufactured between 1983 and 1986 and subsequently used to great effect by artists such as Ultravox, Jean-Michel Jarre, Stevie Wonder, Underworld, Orbital and even Oscar Peterson. Because it was released at the same time as MIDI and early affordable polyphonic synthesisers, the instrument wasn’t a huge commercial success and only 2000 were produced before the company ceased trading.
However, to those in the know, OSCar has been a highly prized item and the secret weapon in many programmer’s sonic arsenal. In a sea of monophonic subtractive synths available at that time it was unique and refreshing in many ways:
It looked interesting. It had an additive synthesis section. It had memories. It was duophonic and monophonic and, with the exception of the filter, it was all digital. All of these features contributed to its sound which could be summed up in one word- Awesome.
From sublime to screaming, from clean and clinical to phat as phuck, the OSCar did it all.
The impOSCar was two years in production and since its release it has become one of the most respected virtual synthesisers on the market. All the notable features of the original instrument are evident here as well as several enhancements including a more intuitive additive section, polyphony, increased LFO waveforms and a chorus and delay effects section.
The filters are a particular highlight of the impOSCar and features two stunning 12dB filters running in series, a filter overdrive and sublime separation control. In fact these filters are now so respected, ace instrument and sound design company Spectrasonics licensed them for use in their wonderful Stylus RMX.
With additive and subtractive synthesis, a huge number of potential waveforms on offer, a plethora of kick-ass filter modes and an intuitive design, the impOSCar is capable of a range of sounds far beyond that of any standard subtractive synthesiser.
Camel Audio Studio Cameleon 5000
سینتی سایزر حرفه ای از نسل Additive که بیش از ۸۰۰ preset در زمینه های مختلف دارد
۸۰۰+ presets – pads, ambiences, evolving textures and much more.
Additive synthesis – create any sound you can imagine.
Morphing - a great way to create new and evolving sounds.
Resynthesis – do things samplers can only dream of!
Cameleon 5000 is an additive synth, featuring resynthesis and sound morphing, which excels at pads and evolving textures and comes with a library of over 800 presets. At its heart is the morph square which allows you to morph between four different instruments at once. You can also use the morph timeline to create rhythmic loops, evolving soundscapes and pads. Uniquely, Cameleon comes with a range of preset morph timelines, to make creating new sounds even easier.
Cameleon can import sampled sounds (WAV/AIFF) into any of the four voice slots, or you can choose from the extensive range of built-in voices. Cameleon breaks sounds down into both a harmonic and noise component, for much higher quality and greater flexibility.
Cameleon also allows you to import image (BMP) files and turn them into sounds. This provides an extremely powerful way to design never-heard-before sounds. If you’re ever stuck for inspiration, just try loading up any picture – perhaps a photo of your mum!
Once you’ve imported a sound you can edit it in ways which would be impossible with a conventional sampler. You have independent control over each of the harmonics, so you can (for example) boost all the odd harmonics – or even draw your own harmonic spectra!
Every part of Cameleon’s interface has been designed with ease of use in mind; the ‘Easy’ page is just one example. On the Easy page you’ll find simple but powerful controls to quickly shape the sound, including changing the balance of harmonics and noise, adding LFOs, or editing the amplitude envelope. You can also use the unique ‘stretch’ parameter to time-stretch sounds in real-time without the loss in quality associated with sampled instruments.
Cameleon has a comprehensive set of effects, including a sweepable formant filter, distortion, compression, chorus, delay and reverb. Cameleon is supplied with over 800 presets, all arranged into categories (pads, leads, basses, and so on). If you’re after instant inspiration, just select the type of sound you require (eg. rhythmics) and hit the random button to get an entirely new random rhythmic loop! Cameleon also comes with a well-written manual including tutorials and tips on getting the best out of it.
Features
800+ presets arranged in categories – pads, ambiences, leads, basses and more.
Import and morph WAV/AIFF files.
Import/export BMP images.
Multi-sampling resynthesis for more realistic and expressive instruments.
One-click ‘morphing square’, to morph between four sounds at a time.
Separate control of amplitude envelope, harmonics and noise.
Morph timeline with presets, for fast creation of evolving patches.
High quality ‘stretch’.
Complete control over each harmonic.
128-band noise generator, 64 detunable partials.
Sweepable formant filter, distortion, compression, chorus, delay, reverb.
Arturia Moog Modular V2
نرم افزار مدلسازی شده یکی از معروفترین سینتی سایزرهای تاریخ Moog
Arturia, in partnership with Bob Moog, has made a faithful reproduction of one of the most famous series of synthesizers: Moog Modular. Whether recreating the abstract tonal qualities of the classic electronic soundtracks, or pushing forward the sonic boundaries of today, the Moog Modular V is a synthesizer for sound exploration. It has all the vibe and the sound of the original, combined with important contemporary features like polyphony, MIDI control, loading and saving of patches, etc.
Main Features:
All the parameters of the original Moog Modular: 9 oscillators, 2 LFOs, 3 filter slots, 1 Noise Generator, 6 envelopes, 2 VCAs.
16 auxiliary VCAs with modulation inputs.
24-step sequencer.
1 filter bank (14 bandwidths available).
More than 600 presets, made by professionals.
Main stereo outputs.
Mono / polyphonic (up to 64 voices per instrument).
Soft clipping function.
No aliasing from 0.1 Hz to 16 kHz.
64-bit floating point precision.
Sampling rate: up to 96 kHz.
Playable through a MIDI keyboard.
1 stereo delay.
1 chorus.
Accurate reproduction of the legendary Moog 24 dB low-pass filter.
1 Chorus and Delay Effect section (besides 12 Stage Phaser and Ring Modulator).
TAE engine. 24 bits/96 kHz supported.
برای شنیدن نمونه های صوتی این سینتی سایزر می توانید به لینک زیر مراجعه نمائید :
http://www.arturia.com/evolution/en/products/moogmodularv/media.html
Arturia CS80 V 1.5
سینتی سایزر افسانه ای Yamaha® CS-80 بازسازی شده . این سینتی سایزر مورد استفاده گروه ها و موسیقیدان هایی چون Toto, Jean-Michel Jarre, Keith Emerson, Stevie Wonder, Vangelis, Ultravox, Peter Gabriel بوده است.
The CS-80V is the reproduction of the legendary Yamaha® CS-80, which was considered by many as the “ultimate polyphonic synthesizer”, back in the late 70’s.
It has been popularized by artists and groups like Toto, Jean-Michel Jarre, Keith Emerson, Stevie Wonder, Vangelis, Ultravox, Peter Gabriel… to name a few, and they all helped to turn this synthesizer into a real myth.
More than twenty five years after its release, the time has come to rediscover a sound that has extensively contributed to the history of music…
MAIN FEATURES:
Switch to Syncrosoft copy protection
VCF audio quality improvements ( V 2.0 )
A revolutionary preset navigation system called the SoundMap ( V 2.0 )
Ring modulator audio quality improvements ( V 2.0 )
lower CPU utilization on Mac OSX ( V 2.0 )
All the original parameters of the Yamaha CS-80: 2 oscillators, 4 filters (high pass, low pass), 2 LFOs, 4 envelopes, 2 VCAs, 1 sub-oscillator (LFO), 1 ring modulator, chorus and tremolo
New Multi Mode: assign a different sound to each of the 8 voices of polyphony!
New Modulation Matrix with 12 sources to modulate a choice of 38 destination parameters
More than 400 presets made by a selection of the most famous sound designers, more…
برای شنیدن نمونه های صوتی این سینتی سایزر می توانید به لینک زیر مراجعه نمائید :
http://www.arturia.com/evolution/en/products/cs-80v/media.html